Fantasy Writers

Writing Foundations of Fantasy Characters

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When you think of fantasy novels, most people think, epic battles, magical worlds, filled with creatures and mysteries to solve. Those worlds have to have must be populated with engaging characters, and instances to grab the readers attention.  Strong characters are important to fantasy fiction for many reasons:

  • Fantasy often tells the story of events on a grand scale, and having characters the readers can connect to and care about makes that story tangible, and more enjoyable.
  • Fantasy often has an element of wish fulfillment about it, so readers want characters they can identify with and understand.
  • Engaging characters can help readers feel as though they get pulled into the story, and feel comfortable in an otherwise unfamiliar invented world.

The most popular fantasy fiction tells us that enduring characters influence how much readers love a work of fiction. Bilbo and Frodo Baggins, Harry Potter and his friends Ron and Hermione, and a whole host of other amazing and enduring characters throughout fantasy history are all amazing examples of iconic fantasy characters.

Several of the characters listed above are protagonists, but the surrounding cast to the protagonist must be engaging as well. No reader will feel suspense if the antagonist is unbelievable and lacks the luster to engage the readers. If the love interest in the story is one-dimensional, readers aren’t likely to be interested.  A mentor adds gravity to the protagonist’s quest, and sidekicks make the protagonist more likeable by bringing in the chance of humor and good laughs. This creates a broad contrast, and wholeness that a protagonist who is busy defeating evil throughout the book might otherwise not have the opportunity to show.

Characters are the heart of your fantasy novel, and without strong characters, the reader ultimately won’t care what happens between epic battles, how the hero of the story grew and challenged evil, or ultimately how the book ends.

One way to create memorable characters is to begin with set types and add depth to each of the specific characters.  No matter what approach you take to creating and developing characters it has to work for you.  This is definitively a formula based way to create characters, but fantasy character types are no different then how the framework of a plot outline works. If you think about some of the characters listed above, there are several types.

Hermoine Granger is the smart girl, Harry Potter is the orphan boy with secret magical powers, and Bilbo Baggins is the reluctant adventurer. All of these are stock characters from literature and the fantasy genre in particular. Yet if you are familiar with these particular versions of these characters from your own reading, you know that this stock description only scratches the surface of who these characters turn out to be: it doesn’t fully convey their strengths, weaknesses or story arcs.

Here is a list of five different fantasy character types you can develop and make into memorable characters for your readers! 

The Protagonist – aka “The Hero”

 

Up to this point, we have mostly discussed the protagonist, but there is a reason for this. This is the most important character in your story. If the protagonist doesn’t work, it won’t matter how well-developed the other characters are as no one will care or even stay engaged enough to finish the story.

Here are a few points to consider as you develop your protagonist:

  • Is your protagonist an ordinary person or do they have some extraordinary powers that help them fulfill their destiny?
  • Is your protagonist more of a traditional hero or is he/she an antihero? In other words, does your protagonist display typical qualities such as courage, loyalty and goodness, or does the protagonist have a dark side?
  • What are some of the defining characteristics of a protagonist? This will definitely help you put together an initial frame for developing this character.

The Antagonist – aka “The Bad Guy”

One error some writers make is creating an antagonist who is purely evil. Their reasoning may be that a more evil character is more likely to create suspense for the reader.

The problem with this approach is that the character may become so over-the-top evil that the reader disengages. A story is often more interesting when the antagonist has motives that are clear and understandable, even if the characters logic or actions behind their motives are wrong.

Another approach to making your antagonist more attractive and enjoyable to read is giving the character a connection with the protagonist.  If you have ever read any of the great fantasy novels of our time, then you get to see these connections come to life very clearly.  Look at Voldemort in Harry Potter or Darth Vader and Luke Skywalker in the Star Wars universe.  In The Lord of the Rings, Sauron is not relatably human, but Saruman was the mentor of the good wizard Gandalf, so when Saruman switches allegiance to Sauron, the betrayal increases a sense of threat and helps the reader understand the emotional roller coaster this has on it’s characters.

The Great Mentor 

This is one of the greatest categories of characters in a fantasy novel ever in my opinion! Like so many stories before this write up we saw such greats as, Frodo Baggins has Bilbo and Gandalf, and Luke Skywalker has Obi-Wan Kenobi.  Each of these great mentors are absolutely invaluable to the protagonist’s development. The main function of a mentor is to educate or train the protagonist, but the mentor can bring a very powerful and emotional component to the story as well.  One of the most interesting things over the course of a fantasy novel, is it’s almost inevitable that at some point the mentor and protagonist must part. Whether this means the death of the mentor or simply the mentor’s departure, this is usually a very emotional and dramatic turning point for the growth of the story.

Here are some points to consider when developing the mentor:

  • Does the mentor have any unusual abilities such as magical powers, or is their primary purpose to impart wisdom and teach?
  • What is the relationship between the protagonist and the mentor? Is it positive from the beginning, or is it a rough and bumpy ride?
  • How do the mentor and protagonist part? Is it sudden and tragic, or is it planned? How does the way the relationship ends affect the protagonist and overall cast of characters for the story?

The Sidekick

Protagonists can sometimes seem incredibly heroic, and sidekicks can help humanize them as well.  At times you will even see the sidekicks overshadow the protagonist.  This is not a fail on the part of the writer, but instead just a natural progression of the roles in the story.  In fantasy fiction, a protagonist often becomes so much larger than life that as the story progresses it becomes increasingly difficult for the reader to relate and engage. Meanwhile the sidekicks are often characters who are more ordinary and perhaps more likable or similar to the reader, which helps them enjoy and engage with this character. What is most important about the sidekick is that the writer remains in control and keeps things cohesive! It’s very easy to derail yourself when writing a character type like a sidekick, as you can pull the focus away from the main plot and protagonist so easily.

Sidekicks often offer wisdom, comic relief, or commentaries that match the reader’s perspective more closely than that of the protagonist. We’ve seen some very memorable and fond sidekicks but some of my favorites to date are still R2D2 and C3PO from Star Wars. Sidekicks are frequently invaluable, and often a protagonist cannot succeed without them.

 

The Famed Love Interest

Much like the sidekick, the love interest helps bring a level of humanity to the protagonist that is needed. The love interest also provides additional opportunities for conflict, suspense, and engagement with the readers. To create an effective love interest, writers should make this character multidimensional and not simply a perfect reflection of the protagonist’s — or the writer’s — wants, needs, and desires.

The love interest will usually be setup in such a way they challenge the protagonist by seeing or doing things in a different way. This character may also raise the bar for the protagonist which helps orchestrate their relationship.  This type of character opens up so many different paths you could take with the protagonist, such as a cause they can be committed to, or even a vulnerability the readers relate with.

One of the most important things to keep in mind while developing this character and the relationship, is that creating any relationship in a fantasy based novel should be no different from any other type of fiction. Writers in the fantasy genre will find it most effective and best suited to portray the growth of the relationship in real and concrete ways, as it makes it easier for the readers to engage and relate.

Protagonists, antagonists, sidekicks, mentors and love interests may seem like basic characters of fantasy, but they are the foundations of a well developed, and very complex set of characters that readers have fallen in love with for ages throughout the fantasy genre.  Have fun and enjoy the wild ride you get while creating the characters in your novel, as they will be the unique attraction points readers engage with!

The Kings of Gondor: Part Nine – A Bloodline Lost

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Welcome back fellow hobbits and people of Middle Earth! It’s been a very long time since I last wrote about the Kings of Gondor, but after a long break and much time away with family I felt it time to return and continue writing.  So, looking forward to continuing this series and many others just like it.

83600606The Unwise King

Earnur was the son of Earnil II. He like his father was a great warrior and became a great leader of armies before he became King.  His greatest victory was against Angmar in the Battle of Fornost, in which he defeated the Witch-king, whom he intended to slay had his steed not panicked in terror of the Witch-king’s darkness.  Earnur became King in TA 2043, and was challenged by the Witch-king of Angmar.  The King of the Ringwraiths, who then resided in Minas Morgul wanted this King of Gondor dead and gone.  Earnur, being quick to anger and wrath, would have accepted his challenge had the wise Steward Mardil Voronwe not held him back, and so the first challenge went unanswered.  Just seven years later a second challenge came, mocking Earnur, and the steward Mardil was not able to stop the King this time.  Ernur accepted the challenge, and after entering the gates of Minas Morgul with a small escort, Earnur was never heard from again.  The unwise King was thought to be dead, so his crown now rests upon his father’s tomb in the Hallows of Minas Tirith.

Prophecy_GlorfindelThe Battle of Fornost

A year prior to the battle, the armies of Angmar conquered Arthedain, the last realm of Arnor. Angmar’s armies had taken Fornost, the capital of the Dunedain, and Arvedui, the last King of Arnor, had drowned in the Ice-Bay of Forochel. A year later, a fleet of ships under King Earnur arrived in the Grey Havens and set off toward what was left of the once-great northern kingdom. With the armies of Gondor came men from Rhovanion, elves from Lindon, and the remainder of the Dunedain (among them Aranarth, the Prince of Arthedain).

The battle itself did not take place in the city of Fornost, but on the plains to the west of the city, near Lake Evendim. The armies of Angmar hurried west to meet the assault, and seeing this, the cavalry of Gondor rode north into the Hills of Evendim to wait in ambush. As the main part of the army of Gondor met the enemy in battle, the Gondor cavalry set out from the hills to strike the rear of the army of Angmar. This served as the turning point in the battle, and allowed the combined armies of the west to gain the advantage. Realizing that his forces were all but completely destroyed, the Witch-king of Angmar fled eastward. As he fled, an army led by Glorfindel came up out of the south and blocked his escape, destroying what was left of his crumbling army; the Witch-king himself was able to escape during the night and fled southward. Though the battle itself had been lost and Angmar utterly destroyed, Sauron was extremely pleased with the Witch-King’s work, for the destruction of the northern kingdoms of the Dunedain was a victory for the Dark Powers which far exceeded the loss of the Witch-King’s realm.

Glorfindel,_Elrond_and_King_Earnur_unite_against_the_Witch-King_of_AngmarA Broken Bloodline

The Line of Anarion was broken with the disappearance of Earnur, and the rule of Gondor passed to the Stewards beginning with Mardil Voronwe, the Steward who had tried to restrain Earnur from going to Minas Morgul to face the Witch-king. The Stewards were to rule “until the King returns” for it wasn’t sure at first whether Earnur had been killed dueling with the Witch-king or not. In addition, Earnur left without naming an heir, and while many nobles in Gondor could lay some sort of claim to the kingship, those claims were generally held in doubt, and no one wanted to risk another civil war like the one that had devastated and weakened Gondor.

The Stewards of Gondor were firstly the chief high councilors to the Kings of Gondor and then the rulers of Gondor, until the return of the rightful king (Aragorn Elessar).

First created by the powerful King Romendacil I, Steward was the traditional title of a chief counselor to the Kings of Gondor.  The Quenya name for the title is Arandur , “Servant of the King”.  The steward was was usually an elderly man not from the Royal House chosen for his wisdom and integrity, and was never permitted to go to war nor to go abroad.  During the time of the Steward Pelendur, from the famous House of Hurin, the title became hereditary, passing the station of counselor from father to son, much like the Kingship.

The House of Hurin was founded by one Hurin of Emyn Arnen, Steward to King Minardil, the twenty-fifth King of Gondor. They were of high Numenorean blood, but not descendants of Elendil in the ruling line.

After the death of King Earnur, who left no heir to the throne of Gondor, the Steward Mardil Voronwe became the first of the Ruling Stewards. Mardil was the first of the Stewards to administer Gondor, and his descendants did so for 25 generations.

The Stewards watched over the throne until it could be reclaimed by a true King of Gondor, an heir of Elendil. When asked by his son Boromir how long a time must pass before a Steward could become a King, if the King did not return, Denethor II replied, “Few years, maybe, in other places of less royalty … In Gondor ten thousand years would not suffice” (The Two Towers).

The Stewards never sat on the throne of the King; instead, they sat on a simple chair of black stone placed below it.

I hope you all are enjoying this series as it has been an absolute blast to write and put together!  We are nearing the end of the series but still have a lot more writing to do, so stay tuned to the site and think about following so you never miss one of my series.

You all stay awesome and I bid you a fine farewell!

Cheers,

Iogro Merrybelly

 

A Fantasy Writers Process

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tumblr_static_tumblr_static_4eo5pzujbwcg8gws0gcc8oc0s_focused_v3.jpgIt’s hard to start writing a niche genre like fantasy when you’ve got the passion for it, but no idea where to start! Maybe you have an idea, but you’re afraid to take the first step because you’re afraid of failing. While the writing process is frustrating and yes, your story may not work out, but if you do your research and work hard, you will find yourself creating an unbelievable story with a world you can mold to your liking.  It’s going to take a lot of patience, will-power to push through tough areas, and learning a few tips along the way from fellow writers.

This is my “Where Do I Start List” on the most important parts of the writing process that I use all the time.  None of these steps are chiseled in stone by any means but these are all tips / tricks I’ve learned over the years….and taken the good advice of better writers who helped me along my journey.

1. Write down EVERY SINGLE IDEA you have!  When writing a novel it doesn’t matter how silly an idea may sound, you thought of it for a reason so write it down.  These ideas can always stem into another and cause creativity and imagination to be boosted.  Plus this is a great way to keep track of the “Idea Process” which is how you personally pop out ideas.

When writing ideas down it could be as simple as (random word here) or it could be a bit more complex and you take it a step further.  Try something like this below and see if it helps with creating new ideas.

  • “Maybe (insert random name here) came across a clue (insert random stuff here) and discovered a great secret.”
  • “Should (name) be a knight or a king, or just some (random person in the story?)”
  • Keep track of how you use ideas and organize them.  See my post on mind mapping a novel to get some ideas of what to use and how to use this method.

2. Look at the setting of a story first before anything.  If you are a fantasy writer like me, then I’m sure you’ve spent a good bit of time doing this already.  Remember this is your story and you can make it however you like, but it’s always a good thought to look at other writers and see what imaginative thing they’ve come up with.  Does your world rely on magic, or maybe it’s inspired by a real place and you’ve put a twist on it.  Depending on what you choose, your characters must reflect the cultures and upbringing in this world. My novel is set in a fictional world but still close to home with traces of European cultures with kings, queens, monsters, tall tales, and hero’s alike.

3. Character development is an absolute must!!!! Make sure you take your time and plot out each character…give them some love as I’ve seen to many times where a story could have been great but the characters were very underdeveloped and it ruined the story. Pay close attention to those minor characters in the book because they can become key to a great story.  Take a look at a post I did on writing minor characters.

4. Character Names have to tie into the cultures you use in the story.  Think about that for a second as this can go a lot of different ways.  Do you have a made up language like Tolkien, or maybe you’ve pulled from Greek mythology, or just classic names from different cultures.  Most of my book I’ve created comes from a European background with a lot of made up in between.

5. Make a timeline because this helps keep everything consistent throughout the story, especially if you use days/weeks/months in your story. This will also allow you to go into accurate detail about places, seasons, weather, people etc.  My book i’m currently working on, Brothers Three, ranges over the course of a 10 year period for the main story.  This story begins with the birth of three brothers who were separated at birth to disguise who they really were, but picks up when the boys are 10.  The story begins on a spring morning, so I made sure to describe the temperature and what the “Spring” season was like which also affected the terrains and landscapes of course. Always make sure to keep in mind the time of year and how long time has passed in your story so that it’s consistent. A timeline also helps with events leading up to your main story. Every major event in the story, whether it actually occurs during the present or not, should be recorded on the timeline. If something major happened to a character in the past, it should be recorded. If something major happens before a main character is born, record their birth-date on the timeline.  I don’t want to give any spoilers away for my book so I didn’t want to share my timeline but one day in future posts I hope to share that process.

6. Make an outline of your entire plot. Some people argue against this process as there are authors who just write great work as they go along, but in my opinion making an outline worked great for me.  Your timeline you created can help a great deal with creating the outline as you should be keeping track of all major plot points and how they roll across chapters, major / minor characters, minor plots, climaxes, etc.

7. Editing, Editing, Editing!  Once you’ve typed out your manuscript, edit it yourself into multiple drafts….Why? Because you don’t want to lose the thing for one, and you are going to butcher this thing when editing it.  I would take a few chapters at a time, print them out, and use a colored pen (I prefer red or blue) but any color you choose will work to cross out, change words, or fix punctuation. It definitely helped me to have a thesaurus and grammar book for quick reference as well.
These are the main points I like to use when writing and getting things ready to edit. Everyone is different and each has their own methods they will develop and enjoy to use. These are mine and I hope they might work for you on the writing journey.  Good luck to all of you with your own writing adventures!